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	<title type="text">PALS Performance Art Links - 2018</title>
	<subtitle type="text"></subtitle>
	<link rel="alternate" type="text/html" href="http://www.palsfestival.se"/>
	<id>http://www.palsfestival.se/10-2014</id>
	<updated>2024-06-24T10:36:21+00:00</updated>
	<author>
		<name>PALS Performance Art Links</name>
		<email>palsfestival@gmail.com</email>
	</author>
	<generator uri="https://www.joomla.org">Joomla! - Open Source Content Management</generator>
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	<entry>
		<title>PALS festival 2014</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/pals-festival-2014"/>
		<published>2015-05-18T17:14:24+00:00</published>
		<updated>2015-05-18T17:14:24+00:00</updated>
		<id>http://www.palsfestival.se/pals-festival-2014</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;h2 style=&quot;margin-bottom: 0cm; page-break-before: always;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;&lt;strong&gt;PALS 2014 -International festival for performance art&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The time has come for the follow-up to the much appreciated festival PALS 2012!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The 25&lt;sup&gt;th&lt;/sup&gt; - 27&lt;sup&gt;th&lt;/sup&gt; of april Fylkingen has the great pleasure to invite you to PALS -Stockholms international performance art festival!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The core of performance art is to be found in its prescence in the now, in the unique meeting between the artist and her audience. During three days we show internationally renowned performance artists works, live -here and now.&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=article&amp;amp;id=62&amp;amp;Itemid=141&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;30 artists from 12 countries participate in the festival!&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;During the week before the festival we are hosting a workshop run by Marilyn Arsem (USA) and Elin Wikström (Sweden) together with art students from Sweden, Finland, Norway, Denmark, Poland and USA. The students will also take part in the festival program alongside the other artists of the festival.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The program in short:&lt;/strong&gt;&lt;br /&gt;22-24/4 PALS workshop at Fylkingen.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Friday 25/4 18.00-24.00.&lt;/strong&gt; Gala premiere!&lt;br /&gt;The festival is opened with pomp and circumstance at Fylkingen.&lt;br /&gt;The fully packed performance art program goes on until midnight.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Saturday 26/4 15.00-16.30 Södermalm&lt;br /&gt;18.00-24.00&lt;/strong&gt; Performance Kulturnatt!&lt;br /&gt;Performancefestival at Fylkingen as a part of Kulturnatt Stockholm.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sunday 27/4 12.00 – 16.30 - 18.00 &lt;/strong&gt;Performances at Slussen!&lt;br /&gt;The festival is continues on Sunday with performances in public space &lt;br /&gt;– at Södermalmstorg/Slussen/Södermalm&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3 style=&quot;margin-bottom: 0cm;&quot;&gt;PALS bloggers&lt;/h3&gt;
&lt;p&gt;During the festival and short time after PALS web page will be updated continiously with text and image posts about performances shown on the festival.&lt;br /&gt;&lt;strong&gt;Saulė Mažeikaitė&lt;/strong&gt; studied art history and theory at the Vilnius Academy of Art and worked as exhibitions and projects curator, art critic, art director in different cultural institutions in Lithuania. Her articles have been published in Lithuanians’ culture portals and newspapers. Now she works as cultural attaché at the Embassy of Lithuania in Stockholm. &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;strong&gt;Edvin Sandström&lt;/strong&gt; is preparing his phd in Sociology at Uppsala University and has since 2011 been conducting research on performance art. He has written about how performance art can serve as communicative practice and its methodological opportunities within qualitative research. Edvin's current focus concentrates on festivals as sites of (re)production of performance art.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Contact:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.palsfestival.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.palsfestival.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;mailto:palsfestival@gmail.com&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;palsfestival@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.fylkingen.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.fylkingen.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Fylkingen, Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Free admission!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;text-align: right;&quot;&gt;&lt;em&gt;Fylkingen production&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Organizers: Irina Anufrieva, Lovisa Johansson, Denis Romanovski, Erik Wijkström&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;h2 style=&quot;margin-bottom: 0cm; page-break-before: always;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;&lt;strong&gt;PALS 2014 -International festival for performance art&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The time has come for the follow-up to the much appreciated festival PALS 2012!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The 25&lt;sup&gt;th&lt;/sup&gt; - 27&lt;sup&gt;th&lt;/sup&gt; of april Fylkingen has the great pleasure to invite you to PALS -Stockholms international performance art festival!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;The core of performance art is to be found in its prescence in the now, in the unique meeting between the artist and her audience. During three days we show internationally renowned performance artists works, live -here and now.&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=article&amp;amp;id=62&amp;amp;Itemid=141&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;30 artists from 12 countries participate in the festival!&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;During the week before the festival we are hosting a workshop run by Marilyn Arsem (USA) and Elin Wikström (Sweden) together with art students from Sweden, Finland, Norway, Denmark, Poland and USA. The students will also take part in the festival program alongside the other artists of the festival.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The program in short:&lt;/strong&gt;&lt;br /&gt;22-24/4 PALS workshop at Fylkingen.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Friday 25/4 18.00-24.00.&lt;/strong&gt; Gala premiere!&lt;br /&gt;The festival is opened with pomp and circumstance at Fylkingen.&lt;br /&gt;The fully packed performance art program goes on until midnight.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Saturday 26/4 15.00-16.30 Södermalm&lt;br /&gt;18.00-24.00&lt;/strong&gt; Performance Kulturnatt!&lt;br /&gt;Performancefestival at Fylkingen as a part of Kulturnatt Stockholm.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Sunday 27/4 12.00 – 16.30 - 18.00 &lt;/strong&gt;Performances at Slussen!&lt;br /&gt;The festival is continues on Sunday with performances in public space &lt;br /&gt;– at Södermalmstorg/Slussen/Södermalm&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3 style=&quot;margin-bottom: 0cm;&quot;&gt;PALS bloggers&lt;/h3&gt;
&lt;p&gt;During the festival and short time after PALS web page will be updated continiously with text and image posts about performances shown on the festival.&lt;br /&gt;&lt;strong&gt;Saulė Mažeikaitė&lt;/strong&gt; studied art history and theory at the Vilnius Academy of Art and worked as exhibitions and projects curator, art critic, art director in different cultural institutions in Lithuania. Her articles have been published in Lithuanians’ culture portals and newspapers. Now she works as cultural attaché at the Embassy of Lithuania in Stockholm. &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;strong&gt;Edvin Sandström&lt;/strong&gt; is preparing his phd in Sociology at Uppsala University and has since 2011 been conducting research on performance art. He has written about how performance art can serve as communicative practice and its methodological opportunities within qualitative research. Edvin's current focus concentrates on festivals as sites of (re)production of performance art.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Contact:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.palsfestival.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.palsfestival.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;mailto:palsfestival@gmail.com&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;palsfestival@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.fylkingen.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.fylkingen.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Fylkingen, Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Free admission!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;text-align: right;&quot;&gt;&lt;em&gt;Fylkingen production&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Organizers: Irina Anufrieva, Lovisa Johansson, Denis Romanovski, Erik Wijkström&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Partners</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/pals-festival-2014/partners"/>
		<published>2015-05-18T17:12:22+00:00</published>
		<updated>2015-05-18T17:12:22+00:00</updated>
		<id>http://www.palsfestival.se/pals-festival-2014/partners</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;strong&gt;PALS genomförs med stöd från Stockholms stad&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.kulturradet.se/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/kulturradet_logo.gif&quot; alt=&quot;kulturradet&quot; width=&quot;200&quot; height=&quot;20&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.nordiskkulturfond.org/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/norden.gif&quot; alt=&quot;Nordisk Kulturfond&quot; width=&quot;201&quot; height=&quot;61&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;&lt;a href=&quot;http://www.polskainstitutet.se/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/pi_rosa-1.jpg&quot; alt=&quot;Polska institutet&quot; width=&quot;137&quot; height=&quot;109&quot; /&gt;&lt;/a&gt;
&lt;p&gt;&lt;a href=&quot;http://www.kultur.stockholm.se/default.asp?id=33470&amp;amp;bhcp=1&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/kulturnatt_stockholm_logotype_positive_purple_rgb_without-date_p1.jpg&quot; alt=&quot;Kulturnatt Stockholm 2012&quot; width=&quot;107&quot; height=&quot;107&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;img src=&quot;http://palsfestival.se/images/2014/artists/support/LRKM_EN_vertikalus_spalvotas.png&quot; alt=&quot;LRKM EN vertikalus spalvotas&quot; width=&quot;125&quot; height=&quot;142&quot; /&gt;&lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;p&gt;&lt;a href=&quot;http://painperformance.com/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/2014/artists/support/Pain_Norr_logo_svart.jpg&quot; alt=&quot;Pain Norr logo svart&quot; width=&quot;127&quot; height=&quot;136&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;h3&gt; &lt;/h3&gt;
&lt;h3&gt;&lt;strong&gt;PALS workshop - participating &lt;/strong&gt;&lt;strong&gt; schools&lt;/strong&gt;&lt;strong&gt;:&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;a href=&quot;http://kkh.se/&quot; target=&quot;_blank&quot;&gt;Kungl.Konsthögskolan (Sweden)&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://gbgkonstskola.se/&quot;&gt;Göteborgs konstskola (Sweden)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;http://www.khib.no&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Bergen Academy of Art and Design (Norway)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://teaterskolen.com/&quot; target=&quot;_blank&quot;&gt;The Copenhagen Film &amp;amp; Theatre School (Denmark)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.smfa.edu/&quot; target=&quot;_blank&quot;&gt;SMFA - School of the Museum of Fine Arts, Boston(USA)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.svefi.net/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Svefi -&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sverigefinska folkhögskolan i Haparanda (Sweden)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://www.asp.krakow.pl/&quot; target=&quot;_blank&quot;&gt;Academy of Fine Art in Krakow (Poland)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://www.taidekoulumaa.fi&quot; target=&quot;_blank&quot;&gt;Art School Maa (Finland)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3&gt;Partner performance art festiavals in Sweden&lt;/h3&gt;
&lt;div&gt;
&lt;p&gt;&lt;a href=&quot;http://www.liveaction.se/&quot;&gt;http://www.liveaction.se/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://friktionerfriction.wordpress.com/&quot;&gt;http://friktionerfriction.wordpress.com/&lt;/a&gt; Uppsala, 14-17 maj 2014&lt;/p&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt;
&lt;h3&gt;Earlier and related projects&lt;/h3&gt;
&lt;p&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=article&amp;amp;id=37&amp;amp;Itemid=34&quot;&gt;Fake Finns and Wannabe Swedes, 2013&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=featured&amp;amp;Itemid=39&quot;&gt;PALS 2012&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h5&gt;&lt;a href=&quot;http://www.fylkingen.se/node/1457&quot; target=&quot;_blank&quot;&gt;PERFORMANCE ART LINKS at Fylkingen (2011 pilot)&lt;br /&gt;&lt;/a&gt;&lt;/h5&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.nobudgetperformance.net/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/nbg_transp.png&quot; alt=&quot;nbg_transp&quot; width=&quot;400&quot; height=&quot;123&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;a href=&quot;http://www.weld.se/program/navinki-weld-performance-meetings-9-14-sept/sv/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/Navinki-weld.jpg&quot; alt=&quot;Navinki-weld&quot; width=&quot;400&quot; height=&quot;282&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;strong&gt;PALS genomförs med stöd från Stockholms stad&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.kulturradet.se/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/kulturradet_logo.gif&quot; alt=&quot;kulturradet&quot; width=&quot;200&quot; height=&quot;20&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.nordiskkulturfond.org/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/norden.gif&quot; alt=&quot;Nordisk Kulturfond&quot; width=&quot;201&quot; height=&quot;61&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt;&lt;a href=&quot;http://www.polskainstitutet.se/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/pi_rosa-1.jpg&quot; alt=&quot;Polska institutet&quot; width=&quot;137&quot; height=&quot;109&quot; /&gt;&lt;/a&gt;
&lt;p&gt;&lt;a href=&quot;http://www.kultur.stockholm.se/default.asp?id=33470&amp;amp;bhcp=1&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/kulturnatt_stockholm_logotype_positive_purple_rgb_without-date_p1.jpg&quot; alt=&quot;Kulturnatt Stockholm 2012&quot; width=&quot;107&quot; height=&quot;107&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;img src=&quot;http://palsfestival.se/images/2014/artists/support/LRKM_EN_vertikalus_spalvotas.png&quot; alt=&quot;LRKM EN vertikalus spalvotas&quot; width=&quot;125&quot; height=&quot;142&quot; /&gt;&lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;p&gt;&lt;a href=&quot;http://painperformance.com/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/2014/artists/support/Pain_Norr_logo_svart.jpg&quot; alt=&quot;Pain Norr logo svart&quot; width=&quot;127&quot; height=&quot;136&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt; &lt;/div&gt;
&lt;h3&gt; &lt;/h3&gt;
&lt;h3&gt;&lt;strong&gt;PALS workshop - participating &lt;/strong&gt;&lt;strong&gt; schools&lt;/strong&gt;&lt;strong&gt;:&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;a href=&quot;http://kkh.se/&quot; target=&quot;_blank&quot;&gt;Kungl.Konsthögskolan (Sweden)&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://gbgkonstskola.se/&quot;&gt;Göteborgs konstskola (Sweden)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;a href=&quot;http://www.khib.no&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Bergen Academy of Art and Design (Norway)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://teaterskolen.com/&quot; target=&quot;_blank&quot;&gt;The Copenhagen Film &amp;amp; Theatre School (Denmark)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.smfa.edu/&quot; target=&quot;_blank&quot;&gt;SMFA - School of the Museum of Fine Arts, Boston(USA)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.svefi.net/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;Svefi -&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;Sverigefinska folkhögskolan i Haparanda (Sweden)&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://www.asp.krakow.pl/&quot; target=&quot;_blank&quot;&gt;Academy of Fine Art in Krakow (Poland)&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style=&quot;font-family: Times New Roman,serif;&quot;&gt;&lt;span style=&quot;font-size: small;&quot;&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;span style=&quot;font-weight: normal;&quot;&gt;&lt;a href=&quot;http://www.taidekoulumaa.fi&quot; target=&quot;_blank&quot;&gt;Art School Maa (Finland)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3&gt;Partner performance art festiavals in Sweden&lt;/h3&gt;
&lt;div&gt;
&lt;p&gt;&lt;a href=&quot;http://www.liveaction.se/&quot;&gt;http://www.liveaction.se/&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://friktionerfriction.wordpress.com/&quot;&gt;http://friktionerfriction.wordpress.com/&lt;/a&gt; Uppsala, 14-17 maj 2014&lt;/p&gt;
&lt;div&gt; &lt;/div&gt;
&lt;div&gt;
&lt;h3&gt;Earlier and related projects&lt;/h3&gt;
&lt;p&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=article&amp;amp;id=37&amp;amp;Itemid=34&quot;&gt;Fake Finns and Wannabe Swedes, 2013&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://palsfestival.se/index.php?option=com_content&amp;amp;view=featured&amp;amp;Itemid=39&quot;&gt;PALS 2012&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h5&gt;&lt;a href=&quot;http://www.fylkingen.se/node/1457&quot; target=&quot;_blank&quot;&gt;PERFORMANCE ART LINKS at Fylkingen (2011 pilot)&lt;br /&gt;&lt;/a&gt;&lt;/h5&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;a href=&quot;http://www.nobudgetperformance.net/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/nbg_transp.png&quot; alt=&quot;nbg_transp&quot; width=&quot;400&quot; height=&quot;123&quot; /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;a href=&quot;http://www.weld.se/program/navinki-weld-performance-meetings-9-14-sept/sv/&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://palsfestival.se/images/logos/Navinki-weld.jpg&quot; alt=&quot;Navinki-weld&quot; width=&quot;400&quot; height=&quot;282&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;p&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Artists</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/pals-festival-2014/artists"/>
		<published>2015-05-18T17:10:56+00:00</published>
		<updated>2015-05-18T17:10:56+00:00</updated>
		<id>http://www.palsfestival.se/pals-festival-2014/artists</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;p&gt;Jelili Atiku (Nigeria)&lt;br /&gt;Marilyn Arsem (USA)&lt;br /&gt;Johannes Bergmark (Sweden)&lt;br /&gt;Chelsea Coon (USA)&lt;br /&gt;Andrea Kronqvist Edwall (Sweden)&lt;br /&gt;Stina Fors (Sweden)&lt;br /&gt;Marie Gavois (Sweden)&lt;br /&gt;Lisa Gideonsson (Sweden)&lt;br /&gt;Arti Grabowski (Poland)&lt;br /&gt;Alejandra Herrera Silva (Chile/USA )&lt;br /&gt;Tine Hammerbo (Denmark)&lt;br /&gt;Tiara Jenkins (USA)&lt;br /&gt;József R. Juhász (Slovakia)&lt;br /&gt;Katri Kainulainen (Finland)&lt;br /&gt;Justus Keinänen (Finland)&lt;br /&gt;Henrik Koppen (Norway)&lt;br /&gt;Marta Kotwica (Poland)&lt;br /&gt;Gustaf Londré (Sweden)&lt;br /&gt;Stuart Lynch (Denmark)&lt;br /&gt;Hélène Matte (Canada)&lt;br /&gt;Victor Petrov (Belarus)&lt;br /&gt;Pavana Reid (Norway/N.Ireland/Thailand)&lt;br /&gt;Nastja Säde Rönkkö (Finland)&lt;br /&gt;Kajsa Sandström (Sweden)&lt;br /&gt;Iris Smeds (Sweden)&lt;br /&gt;Julischka Stengele (Germany)*&lt;br /&gt;Blå Stenback (Sweden)&lt;br /&gt;Liv Strand (Sweden)&lt;br /&gt;VaidaTamoševičiūtė (Lithuania)&lt;br /&gt;Elin Wikström (Sweden)&lt;/p&gt;
&lt;p&gt;---&lt;br /&gt;&lt;em&gt;* - in collaboration with PAiN (Performance Art in Norrbotten) as part of the project 'Between body and place'&lt;/em&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;p&gt;Jelili Atiku (Nigeria)&lt;br /&gt;Marilyn Arsem (USA)&lt;br /&gt;Johannes Bergmark (Sweden)&lt;br /&gt;Chelsea Coon (USA)&lt;br /&gt;Andrea Kronqvist Edwall (Sweden)&lt;br /&gt;Stina Fors (Sweden)&lt;br /&gt;Marie Gavois (Sweden)&lt;br /&gt;Lisa Gideonsson (Sweden)&lt;br /&gt;Arti Grabowski (Poland)&lt;br /&gt;Alejandra Herrera Silva (Chile/USA )&lt;br /&gt;Tine Hammerbo (Denmark)&lt;br /&gt;Tiara Jenkins (USA)&lt;br /&gt;József R. Juhász (Slovakia)&lt;br /&gt;Katri Kainulainen (Finland)&lt;br /&gt;Justus Keinänen (Finland)&lt;br /&gt;Henrik Koppen (Norway)&lt;br /&gt;Marta Kotwica (Poland)&lt;br /&gt;Gustaf Londré (Sweden)&lt;br /&gt;Stuart Lynch (Denmark)&lt;br /&gt;Hélène Matte (Canada)&lt;br /&gt;Victor Petrov (Belarus)&lt;br /&gt;Pavana Reid (Norway/N.Ireland/Thailand)&lt;br /&gt;Nastja Säde Rönkkö (Finland)&lt;br /&gt;Kajsa Sandström (Sweden)&lt;br /&gt;Iris Smeds (Sweden)&lt;br /&gt;Julischka Stengele (Germany)*&lt;br /&gt;Blå Stenback (Sweden)&lt;br /&gt;Liv Strand (Sweden)&lt;br /&gt;VaidaTamoševičiūtė (Lithuania)&lt;br /&gt;Elin Wikström (Sweden)&lt;/p&gt;
&lt;p&gt;---&lt;br /&gt;&lt;em&gt;* - in collaboration with PAiN (Performance Art in Norrbotten) as part of the project 'Between body and place'&lt;/em&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>PALS workshop</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/10-2014/41-pals-workshop"/>
		<published>2015-05-18T17:10:13+00:00</published>
		<updated>2015-05-18T17:10:13+00:00</updated>
		<id>http://www.palsfestival.se/10-2014/41-pals-workshop</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;p&gt;PALS workshop with Marilyn Arsem (USA) and Elin Wikström (Sweden) for Scandinavian and international art students&lt;br /&gt;22-24 April 2014, Location Fylkingen&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h2&gt;PALS Workshop Participants &lt;/h2&gt;
&lt;p&gt;Andrea Kronqvist Edwall  - Göteborgskonstskola, Sweden&lt;/p&gt;
&lt;p&gt;Stina Fors - Göteborgskonstskola, Sweden&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;Kajsa Sandström - &lt;/span&gt; Royal Institute of Arts, Sweden &lt;/p&gt;
&lt;p&gt;Blå Stenback – Svefi, Sweden&lt;/p&gt;
&lt;p&gt;Tine Hammerbo – &lt;span lang=&quot;sv-SE&quot;&gt;The Copenhagen Film &amp;amp; Theatre School &lt;/span&gt;, Denmark&lt;/p&gt;
&lt;p&gt;Justus Keinänen - Taidekoulu Maa, Finland&lt;/p&gt;
&lt;p&gt;Henrik Koppen - &lt;span lang=&quot;en-US&quot;&gt;Bergen Academy of Art and Design,&lt;/span&gt; Norway &lt;/p&gt;
&lt;p&gt;Marta Kotwica - &lt;span lang=&quot;en-GB&quot;&gt;The Academy of Fine Arts in Kraków&lt;/span&gt;, Poland &lt;/p&gt;
&lt;p&gt;Chelsea Coon - SMFA Boston, USA &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Tiara Jenkins, - SMFA Boston, USA &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h2 lang=&quot;en-US&quot;&gt;PALS 2014 workshop tutors&lt;/h2&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;h3&gt;&lt;span lang=&quot;en-US&quot;&gt;Marilyn Arsem (USA)&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://marilynarsem.net/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://marilynarsem.net/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Marilyn Arsem&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; has been creating live events since 1975, from solo gallery performances to large-scale, site-specific works. &lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;Arsem&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; has presented work at festivals, conferences, alternative spaces, galleries, museums and universities in North and South America, Europe, the Middle East and Asia.&lt;br /&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;Most recently she has focused on creating site-specific performances, often in the context of festivals. These works are not planned in advance, but made in response to a location that is selected on arrival. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;She is a member (and founder) of &lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.mobius.org/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;Mobius, Inc.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;, a Boston-based collaborative of interdisciplinary artists. As a full-time faculty member at the &lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.smfa.edu/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;School of the Museum of Fine Arts, Boston&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;, she heads the Performance Area and is a Graduate Advisor. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3 lang=&quot;en-US&quot;&gt;Elin Wikström (Sweden)&lt;/h3&gt;
&lt;p lang=&quot;en-US&quot;&gt;Elin Wikström’s art practice deals with being subjected to constructed situations and has the format of interventions in various venues, spaces or context. Negotiation and participatory-driven processes are keywords in her art practice.  The acts and speech acts that she’s carrying out are often everyday life actions with a twist or simple actions that are repeated in absurdum. For Elin Wikström working in this format is an attempt to questions norms, values and logics for how we speak, think and act, on an individual level as well as in society at large and to trigger reflections on current social, political, environmental and cultural issues. The reasons for her behind developing such methods have been an effort to representing individuals and groups as active subjects able to critically question and change their understanding of themselves and the world around them in order to become aware of conditions they previously had less knowledge and experience of. What is motivating Elin Wikström to further develop artistic methods within this field is that wherever societal transformations take place, small or large, there is consequently a compelling need for individuals and communities to actively participate in decision-making processes.&lt;/p&gt;
&lt;p lang=&quot;en-US&quot;&gt;Examples of ricent works of Elin Wikström:&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Emscherkunst 2013, Dinslaken, Oberhausen, Duisburg, Gelsenkirchen (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.emscherkunst.de/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;www.emscherkunst.de&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ), &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Street Level Nr I. – PARKOUR ++++, Mobile Art Production, Göteborg, 2012 (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://mobileartproduction.se/en/projekt/street-level-nr-1-parkour/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://mobileartproduction.se/en/projekt/street-level-nr-1-parkour/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ), &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Living as Form, Creative Time, Essex Street Market, New York 2011 (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://creativetime.org/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://creativetime.org&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ). &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;strong&gt;Art schools:&lt;/strong&gt; Royal Institute of Art (Sweden), Svefi - Sverigefinska Folkhögskolan i Happaranda (Sweden), Göteborgs konstskola (Sweden), Bergen Academy of Art and Design (Norway), The Copenhagen Film &amp;amp; Theatre School (Denmark), SMFA Boston (USA),  Academy of Fine Art in Krakow (Poland), Taidekoulu Maa (Finland).&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;p&gt;PALS workshop with Marilyn Arsem (USA) and Elin Wikström (Sweden) for Scandinavian and international art students&lt;br /&gt;22-24 April 2014, Location Fylkingen&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h2&gt;PALS Workshop Participants &lt;/h2&gt;
&lt;p&gt;Andrea Kronqvist Edwall  - Göteborgskonstskola, Sweden&lt;/p&gt;
&lt;p&gt;Stina Fors - Göteborgskonstskola, Sweden&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;Kajsa Sandström - &lt;/span&gt; Royal Institute of Arts, Sweden &lt;/p&gt;
&lt;p&gt;Blå Stenback – Svefi, Sweden&lt;/p&gt;
&lt;p&gt;Tine Hammerbo – &lt;span lang=&quot;sv-SE&quot;&gt;The Copenhagen Film &amp;amp; Theatre School &lt;/span&gt;, Denmark&lt;/p&gt;
&lt;p&gt;Justus Keinänen - Taidekoulu Maa, Finland&lt;/p&gt;
&lt;p&gt;Henrik Koppen - &lt;span lang=&quot;en-US&quot;&gt;Bergen Academy of Art and Design,&lt;/span&gt; Norway &lt;/p&gt;
&lt;p&gt;Marta Kotwica - &lt;span lang=&quot;en-GB&quot;&gt;The Academy of Fine Arts in Kraków&lt;/span&gt;, Poland &lt;/p&gt;
&lt;p&gt;Chelsea Coon - SMFA Boston, USA &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;Tiara Jenkins, - SMFA Boston, USA &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h2 lang=&quot;en-US&quot;&gt;PALS 2014 workshop tutors&lt;/h2&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;h3&gt;&lt;span lang=&quot;en-US&quot;&gt;Marilyn Arsem (USA)&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://marilynarsem.net/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://marilynarsem.net/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Marilyn Arsem&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; has been creating live events since 1975, from solo gallery performances to large-scale, site-specific works. &lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;Arsem&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; has presented work at festivals, conferences, alternative spaces, galleries, museums and universities in North and South America, Europe, the Middle East and Asia.&lt;br /&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;Most recently she has focused on creating site-specific performances, often in the context of festivals. These works are not planned in advance, but made in response to a location that is selected on arrival. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;She is a member (and founder) of &lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.mobius.org/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;Mobius, Inc.&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;, a Boston-based collaborative of interdisciplinary artists. As a full-time faculty member at the &lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.smfa.edu/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;School of the Museum of Fine Arts, Boston&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt;, she heads the Performance Area and is a Graduate Advisor. &lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3 lang=&quot;en-US&quot;&gt;Elin Wikström (Sweden)&lt;/h3&gt;
&lt;p lang=&quot;en-US&quot;&gt;Elin Wikström’s art practice deals with being subjected to constructed situations and has the format of interventions in various venues, spaces or context. Negotiation and participatory-driven processes are keywords in her art practice.  The acts and speech acts that she’s carrying out are often everyday life actions with a twist or simple actions that are repeated in absurdum. For Elin Wikström working in this format is an attempt to questions norms, values and logics for how we speak, think and act, on an individual level as well as in society at large and to trigger reflections on current social, political, environmental and cultural issues. The reasons for her behind developing such methods have been an effort to representing individuals and groups as active subjects able to critically question and change their understanding of themselves and the world around them in order to become aware of conditions they previously had less knowledge and experience of. What is motivating Elin Wikström to further develop artistic methods within this field is that wherever societal transformations take place, small or large, there is consequently a compelling need for individuals and communities to actively participate in decision-making processes.&lt;/p&gt;
&lt;p lang=&quot;en-US&quot;&gt;Examples of ricent works of Elin Wikström:&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Emscherkunst 2013, Dinslaken, Oberhausen, Duisburg, Gelsenkirchen (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.emscherkunst.de/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;www.emscherkunst.de&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ), &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Street Level Nr I. – PARKOUR ++++, Mobile Art Production, Göteborg, 2012 (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://mobileartproduction.se/en/projekt/street-level-nr-1-parkour/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://mobileartproduction.se/en/projekt/street-level-nr-1-parkour/&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ), &lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;en-US&quot;&gt;Living as Form, Creative Time, Essex Street Market, New York 2011 (&lt;/span&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://creativetime.org/&quot;&gt;&lt;span lang=&quot;en-US&quot;&gt;http://creativetime.org&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;en-US&quot;&gt; ). &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p&gt;&lt;em&gt;&lt;span lang=&quot;sv-SE&quot;&gt;&lt;strong&gt;Art schools:&lt;/strong&gt; Royal Institute of Art (Sweden), Svefi - Sverigefinska Folkhögskolan i Happaranda (Sweden), Göteborgs konstskola (Sweden), Bergen Academy of Art and Design (Norway), The Copenhagen Film &amp;amp; Theatre School (Denmark), SMFA Boston (USA),  Academy of Fine Art in Krakow (Poland), Taidekoulu Maa (Finland).&lt;/span&gt;&lt;/em&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Public program</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/pals-festival-2014/public-program"/>
		<published>2015-05-18T17:09:31+00:00</published>
		<updated>2015-05-18T17:09:31+00:00</updated>
		<id>http://www.palsfestival.se/pals-festival-2014/public-program</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot; align=&quot;RIGHT&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;PALS 2014 PROGRAM&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;25 April, Friday 18.00-24.00 at Fylkingen,&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;The festival is opened with pomp and circumstance at Fylkingen.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;The fully packed performance art program goes on until midnight.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Chelsea Coon (USA) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Remain&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, durational – all day &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Liv Strand (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Textile Location&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 20 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Johannes Bergmark (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;An acoustic study of sticks and surfaces&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Victor Petrov (Belarus), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Unity&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 20 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Alejandra Herrera Silva (Chile/USA ) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Role/Lifetime&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Stuart Lynch (Denmark)&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt; Fashion Zombie - Part 1&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Marie Gavois (Sweden) ”&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;-tsssss… när det regnar&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;”.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Arti Grabowski (Poland) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Wrong way, wrong... &lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 25 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Justus Keinänen (Finland), 5min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Katri Kainulainen (Finland), &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;10-20 minutes&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Stina Fors (Sweden), 20 min&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Tine Hammerbo (Denmark) &lt;em&gt;Beware of the mental. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;26 April, Saturday&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;15.00-16.30 performance starts at Södermalmstorg&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Elin Wikström (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Two walks. Company: Dersu, Madam Thévenot and Eli – the old man. Packing: a map, a baguette and a shopping chart. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;18.00-24.00 at Fylkingen &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Iris Smeds (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;The Actress; The Oracle; The Tragedy&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 15 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Julischka Stengele (Germany) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;From Vienna to Stockholm with Love&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Lisa Gideonsson &amp;amp; Gustaf Londré (Sweden) &lt;/span&gt;&lt;em&gt;G &amp;amp; L&lt;/em&gt;, 30 min &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;VaidaTamoševičiūtė (Lithuania), ”&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;One more try&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;”, 2 hours, (durational, outside Fylkingen)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Nastja Säde Rönkkö (Finland) A&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;in't no mountain high enough, &lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;30 min&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;József R. Juhász (Slovakia), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;IDIOMS nr. 7,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 40 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Hélène Matte (Canada) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Rose’s permutations&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 25 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Marta Kotwica (Poland) 15 min &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Andrea Kronqvist Edwall (Sweden)&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Henrik Koppen (Norway), 15 min&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Kajsa Sandström (Sweden) 15 min &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Marilyn Arsem (USA) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Marked Time II,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;27 April, Sunday at Södermalmstorg/Slussen&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;12.00-16.30 &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Johannes Bergmark (Sweden), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;An acoustic study of the wind,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 4 hours&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Pavana Reid (Norway/N.Ireland/Thailand) &lt;/span&gt;&lt;em&gt;Breaking Silence&lt;/em&gt;, 2-3 hours&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;József R. Juhász (Slovakia) no title, 1 hour&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Blå Stenback (Sweden) Balancing the Binary. &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Tiara Jenkins (USA)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;15.00 &lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;Elin Wikström (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Two walks. Company: Dersu, Madam Thévenot and Eli – the old man. Packing: a map, a baguette and a shopping chart&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;. 1h30min. &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;Performance starts at 15.00&lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; at Sötermalmstorg&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;16.30 Södermalmstorg - 18.30 Fylkingen &lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;Jelili Atiku (Nigeria) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Ologbere (Oginrinringinrin II) &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Contact:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.palsfestival.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.palsfestival.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;palsfestival@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.fylkingen.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.fylkingen.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Free admission!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot; align=&quot;RIGHT&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;PALS 2014 PROGRAM&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;25 April, Friday 18.00-24.00 at Fylkingen,&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;The festival is opened with pomp and circumstance at Fylkingen.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;The fully packed performance art program goes on until midnight.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Chelsea Coon (USA) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Remain&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, durational – all day &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Liv Strand (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Textile Location&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 20 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Johannes Bergmark (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;An acoustic study of sticks and surfaces&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Victor Petrov (Belarus), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Unity&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 20 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Alejandra Herrera Silva (Chile/USA ) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Role/Lifetime&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Stuart Lynch (Denmark)&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt; Fashion Zombie - Part 1&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Marie Gavois (Sweden) ”&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;-tsssss… när det regnar&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;”.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Arti Grabowski (Poland) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Wrong way, wrong... &lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 25 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Justus Keinänen (Finland), 5min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Katri Kainulainen (Finland), &lt;/span&gt;&lt;span style=&quot;font-size: small;&quot;&gt;10-20 minutes&lt;/span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Stina Fors (Sweden), 20 min&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Tine Hammerbo (Denmark) &lt;em&gt;Beware of the mental. &lt;/em&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;26 April, Saturday&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;15.00-16.30 performance starts at Södermalmstorg&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Elin Wikström (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Two walks. Company: Dersu, Madam Thévenot and Eli – the old man. Packing: a map, a baguette and a shopping chart. &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;strong&gt;18.00-24.00 at Fylkingen &lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Iris Smeds (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;The Actress; The Oracle; The Tragedy&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 15 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Julischka Stengele (Germany) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;From Vienna to Stockholm with Love&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Lisa Gideonsson &amp;amp; Gustaf Londré (Sweden) &lt;/span&gt;&lt;em&gt;G &amp;amp; L&lt;/em&gt;, 30 min &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;VaidaTamoševičiūtė (Lithuania), ”&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;One more try&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;”, 2 hours, (durational, outside Fylkingen)&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Nastja Säde Rönkkö (Finland) A&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;in't no mountain high enough, &lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;span style=&quot;font-style: normal;&quot;&gt;30 min&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;József R. Juhász (Slovakia), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;IDIOMS nr. 7,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 40 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Hélène Matte (Canada) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Rose’s permutations&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;, 25 min &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Marta Kotwica (Poland) 15 min &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Andrea Kronqvist Edwall (Sweden)&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Henrik Koppen (Norway), 15 min&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Kajsa Sandström (Sweden) 15 min &lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Marilyn Arsem (USA) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Marked Time II,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 30 min&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-size: large;&quot;&gt;&lt;strong&gt;27 April, Sunday at Södermalmstorg/Slussen&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;12.00-16.30 &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Johannes Bergmark (Sweden), &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;An acoustic study of the wind,&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; 4 hours&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;Pavana Reid (Norway/N.Ireland/Thailand) &lt;/span&gt;&lt;em&gt;Breaking Silence&lt;/em&gt;, 2-3 hours&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;József R. Juhász (Slovakia) no title, 1 hour&lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Blå Stenback (Sweden) Balancing the Binary. &lt;/span&gt;&lt;/p&gt;
&lt;p lang=&quot;en-GB&quot; style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;Tiara Jenkins (USA)&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;15.00 &lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;Elin Wikström (Sweden) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Two walks. Company: Dersu, Madam Thévenot and Eli – the old man. Packing: a map, a baguette and a shopping chart&lt;/em&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;. 1h30min. &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;Performance starts at 15.00&lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt; at Sötermalmstorg&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;strong&gt;16.30 Södermalmstorg - 18.30 Fylkingen &lt;/strong&gt;&lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;Jelili Atiku (Nigeria) &lt;/span&gt;&lt;span lang=&quot;en-GB&quot;&gt;&lt;em&gt;Ologbere (Oginrinringinrin II) &lt;/em&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;hr /&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Contact:&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.palsfestival.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.palsfestival.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;palsfestival@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #0000ff;&quot;&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;a class=&quot;western&quot; href=&quot;http://www.fylkingen.se/&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;www.fylkingen.se&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt;&lt;span style=&quot;color: #000000;&quot;&gt;&lt;span style=&quot;font-family: Helvetica,Arial,sans-serif;&quot;&gt;Free admission!&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Press materials</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/pals-festival-2014/press-materials"/>
		<published>2015-05-18T17:08:51+00:00</published>
		<updated>2015-05-18T17:08:51+00:00</updated>
		<id>http://www.palsfestival.se/pals-festival-2014/press-materials</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;h3&gt;&lt;strong&gt;PALS 2014 -internationell festival för performancekonst&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;Den 25-27:e april har Fylkingen den stora glädjen att bjuda in till PALS - - Stockholms internationella performancekonstfestival! Performancekonstens kärna står att finna i dess närvaro i nuet, i det unika mötet mellan konstnären och hennes publik. Under tre dagar visar vi internationellt erkända performancekonstnärers verk live -här och nu.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;PALS 2014 - performance art links.&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;Internationell festival för performancekonst 25-27 april på Fylkingen&lt;/p&gt;
&lt;p&gt;Nu är det dags för uppföljaren &lt;span lang=&quot;en-US&quot;&gt;till den mycket uppskattade festivalen PALS 2012!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Den 25-27:e april har Fylkingen den stora glädjen att bjuda in till PALS -Stockholms internationella performancekonst festival!&lt;/p&gt;
&lt;p&gt;Performancekonstens kärna står att finna i dess närvaro i nuet,i det unika mötet mellan konstnären och hennes publik. Under tre dagar visar vi internationellt erkända performancekonstnärers verk live -här och nu.&lt;/p&gt;
&lt;p&gt;Vi har sammanfört konstnärer i olika åldrar, från olika länder och sammanhang som ett led i det ständigt pågående sammanlänkande av olika kontexter som pågår på den internationella performancekonstscenen.&lt;/p&gt;
&lt;p&gt;Under upptaktsveckan till festivalen håller vi en workshop där ett antal erfarna konstnärer arbetar tillsammans med konststudenter från Sverige, Finland, Norge, Danmark, Polen och USA. Studenterna kommer även att programläggas jämsides med festivalens övriga konstnärer.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Programmet i korthet:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Fredag 25/4 kl. 18.00-24.00. Galapremiär!&lt;/p&gt;
&lt;p&gt;Festivalen inleds med pompa och ståt på Fylkingen.&lt;/p&gt;
&lt;p&gt;Det fullmatade performance programmet sträcker sig till midnatt.&lt;/p&gt;
&lt;p&gt;Lördag 26/4 kl. 18.00-24.00 Performance Kulturnatt!&lt;/p&gt;
&lt;p&gt;Performancefestival på Fylkingen som en del av Kulturnatt Stockholm.&lt;/p&gt;
&lt;p&gt;Söndag 27/4 kl. 12.00 – 16.00.Performance på Slussen!&lt;/p&gt;
&lt;p&gt;Festivalen avslutas på söndagen med performance i det offentliga rummet – på Södermalmstorg/Slussen.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Kontakt:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.palsfestival.se/&quot;&gt;www.palsfestival.se&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;palsfestival@gmail.com&lt;/p&gt;
&lt;p&gt;073-9198389&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.fylkingen.se/&quot;&gt;www.fylkingen.se&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/p&gt;
&lt;p&gt;Fri Entré!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</summary>
		<content type="html">&lt;h3&gt;&lt;strong&gt;PALS 2014 -internationell festival för performancekonst&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;Den 25-27:e april har Fylkingen den stora glädjen att bjuda in till PALS - - Stockholms internationella performancekonstfestival! Performancekonstens kärna står att finna i dess närvaro i nuet, i det unika mötet mellan konstnären och hennes publik. Under tre dagar visar vi internationellt erkända performancekonstnärers verk live -här och nu.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;h3&gt;&lt;strong&gt;PALS 2014 - performance art links.&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;Internationell festival för performancekonst 25-27 april på Fylkingen&lt;/p&gt;
&lt;p&gt;Nu är det dags för uppföljaren &lt;span lang=&quot;en-US&quot;&gt;till den mycket uppskattade festivalen PALS 2012!&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Den 25-27:e april har Fylkingen den stora glädjen att bjuda in till PALS -Stockholms internationella performancekonst festival!&lt;/p&gt;
&lt;p&gt;Performancekonstens kärna står att finna i dess närvaro i nuet,i det unika mötet mellan konstnären och hennes publik. Under tre dagar visar vi internationellt erkända performancekonstnärers verk live -här och nu.&lt;/p&gt;
&lt;p&gt;Vi har sammanfört konstnärer i olika åldrar, från olika länder och sammanhang som ett led i det ständigt pågående sammanlänkande av olika kontexter som pågår på den internationella performancekonstscenen.&lt;/p&gt;
&lt;p&gt;Under upptaktsveckan till festivalen håller vi en workshop där ett antal erfarna konstnärer arbetar tillsammans med konststudenter från Sverige, Finland, Norge, Danmark, Polen och USA. Studenterna kommer även att programläggas jämsides med festivalens övriga konstnärer.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Programmet i korthet:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Fredag 25/4 kl. 18.00-24.00. Galapremiär!&lt;/p&gt;
&lt;p&gt;Festivalen inleds med pompa och ståt på Fylkingen.&lt;/p&gt;
&lt;p&gt;Det fullmatade performance programmet sträcker sig till midnatt.&lt;/p&gt;
&lt;p&gt;Lördag 26/4 kl. 18.00-24.00 Performance Kulturnatt!&lt;/p&gt;
&lt;p&gt;Performancefestival på Fylkingen som en del av Kulturnatt Stockholm.&lt;/p&gt;
&lt;p&gt;Söndag 27/4 kl. 12.00 – 16.00.Performance på Slussen!&lt;/p&gt;
&lt;p&gt;Festivalen avslutas på söndagen med performance i det offentliga rummet – på Södermalmstorg/Slussen.&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Kontakt:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.palsfestival.se/&quot;&gt;www.palsfestival.se&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;palsfestival@gmail.com&lt;/p&gt;
&lt;p&gt;073-9198389&lt;/p&gt;
&lt;p&gt;&lt;span lang=&quot;zxx&quot;&gt;&lt;a href=&quot;http://www.fylkingen.se/&quot;&gt;www.fylkingen.se&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;Münchenbryggeriet, Torkel Knutssonsgatan 2&lt;/p&gt;
&lt;p&gt;Fri Entré!&lt;/p&gt;
&lt;p style=&quot;margin-bottom: 0cm;&quot;&gt; &lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Elin Wikström inbjudan</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/10-2014/38-elin-wikstroem-inbjudan"/>
		<published>2015-05-18T16:45:40+00:00</published>
		<updated>2015-05-18T16:45:40+00:00</updated>
		<id>http://www.palsfestival.se/10-2014/38-elin-wikstroem-inbjudan</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;h4&gt;TVÅ VANDRINGAR. SÄLLSKAP: DERSU, MADAM THÉVENOT OCH ELI – DEN GAMLE MANNEN. PACKNING: EN KARTA, EN BAGUETTE OCH EN KUNDVAGN.&lt;/h4&gt;
&lt;p&gt;Som mitt bidrag till festivalen PALS 2014 arrangerar jag två vandringar som ur skilda perspektiv undersöker området runt Slussen. Den första, för fot och rullstolsburna, kl 15.00, lördag 26 april, har diskriminerande otillgänglighet som tema, leds av Kerstin Alksten som arbetar med att utomhusmiljön ska bli mer tillgänglig för grupper med olika funktionsnedsättningar. Den andra, kl 15.00, söndag 27 april, är en fotvandring till några avsides belägna platser i svår terräng, som Conny Lind en pensionär från Söder, kartlagt, fotograferat och publicerat på nätet. &lt;br /&gt;Syftet med vandringarna är att utforska omgivningarna, njuta av väder och vind och varandras sällskap. Hur uppfattas platserna som besöks under vandringarna? Vad är en bra utomhusmiljö? Generellt och utifrån tillgänglighets-aspekten? Hur utformas den? Av vem? För vem? Båda vandringarna kommer att innehålla performativa element, pågå en och halv timme med ett kortare stopp där det bjuds på färdkost.&lt;/p&gt;
&lt;p&gt;Förutom festival publiken och konstnärerna som medverkar i PALS 2014 har representanter från; Södermalms stadsdelsnämnds (ansvariga för park, miljö, trafik och omsorg), Södermalms funktionsråd, organisationer för personer med funktionsnedsättningar, arkitektutbildningarna KTH och Mejan Arc, Färgfabriken och Statens Konstråd bjudits in.&lt;/p&gt;
&lt;p&gt;Verkets titel refererar till filmer med starkt fokus på vandring i handlingen; Vägvisaren (Kurosawa 1975), Borgerskapets diskreta charm (Bunuel 1972) och Vägen (Hillcoat, 2009, efter Cormac Mc Carthys bok med samma namn)&lt;/p&gt;
&lt;p&gt;OBS! Samling vid Stadsmuseets hiss, utanför muséet på Ryssgården, Södermalms torg. Färdtjänst kan köra till Peter Myndes Backe 3.&lt;/p&gt;
&lt;p&gt;Svarar gärna på frågor. Hör av er till mej, Elin Wikström per telefon 0708 38 19 58&lt;/p&gt;
&lt;p&gt;Vänliga hälsningar,&lt;br /&gt;Elin Wikström&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan2.jpg&quot; alt=&quot;elin-inbjudan2&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan1.jpg&quot; alt=&quot;elin-inbjudan1&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;</summary>
		<content type="html">&lt;h4&gt;TVÅ VANDRINGAR. SÄLLSKAP: DERSU, MADAM THÉVENOT OCH ELI – DEN GAMLE MANNEN. PACKNING: EN KARTA, EN BAGUETTE OCH EN KUNDVAGN.&lt;/h4&gt;
&lt;p&gt;Som mitt bidrag till festivalen PALS 2014 arrangerar jag två vandringar som ur skilda perspektiv undersöker området runt Slussen. Den första, för fot och rullstolsburna, kl 15.00, lördag 26 april, har diskriminerande otillgänglighet som tema, leds av Kerstin Alksten som arbetar med att utomhusmiljön ska bli mer tillgänglig för grupper med olika funktionsnedsättningar. Den andra, kl 15.00, söndag 27 april, är en fotvandring till några avsides belägna platser i svår terräng, som Conny Lind en pensionär från Söder, kartlagt, fotograferat och publicerat på nätet. &lt;br /&gt;Syftet med vandringarna är att utforska omgivningarna, njuta av väder och vind och varandras sällskap. Hur uppfattas platserna som besöks under vandringarna? Vad är en bra utomhusmiljö? Generellt och utifrån tillgänglighets-aspekten? Hur utformas den? Av vem? För vem? Båda vandringarna kommer att innehålla performativa element, pågå en och halv timme med ett kortare stopp där det bjuds på färdkost.&lt;/p&gt;
&lt;p&gt;Förutom festival publiken och konstnärerna som medverkar i PALS 2014 har representanter från; Södermalms stadsdelsnämnds (ansvariga för park, miljö, trafik och omsorg), Södermalms funktionsråd, organisationer för personer med funktionsnedsättningar, arkitektutbildningarna KTH och Mejan Arc, Färgfabriken och Statens Konstråd bjudits in.&lt;/p&gt;
&lt;p&gt;Verkets titel refererar till filmer med starkt fokus på vandring i handlingen; Vägvisaren (Kurosawa 1975), Borgerskapets diskreta charm (Bunuel 1972) och Vägen (Hillcoat, 2009, efter Cormac Mc Carthys bok med samma namn)&lt;/p&gt;
&lt;p&gt;OBS! Samling vid Stadsmuseets hiss, utanför muséet på Ryssgården, Södermalms torg. Färdtjänst kan köra till Peter Myndes Backe 3.&lt;/p&gt;
&lt;p&gt;Svarar gärna på frågor. Hör av er till mej, Elin Wikström per telefon 0708 38 19 58&lt;/p&gt;
&lt;p&gt;Vänliga hälsningar,&lt;br /&gt;Elin Wikström&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan2.jpg&quot; alt=&quot;elin-inbjudan2&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan1.jpg&quot; alt=&quot;elin-inbjudan1&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;</content>
		<category term="2014" />
	</entry>
	<entry>
		<title>Elin Wikström invitation</title>
		<link rel="alternate" type="text/html" href="http://www.palsfestival.se/10-2014/37-elin-wikstroem-invitation"/>
		<published>2015-05-18T16:43:06+00:00</published>
		<updated>2015-05-18T16:43:06+00:00</updated>
		<id>http://www.palsfestival.se/10-2014/37-elin-wikstroem-invitation</id>
		<author>
			<name>Super User</name>
			<email>palsfestival@gmail.com</email>
		</author>
		<summary type="html">&lt;p&gt;&lt;strong&gt;TWO WALKS. COMPANY: DERSU, MADAM THÉVENOT AND ELI – THE OLD MAN. PACKING; A MAP, A BAGUETTE AND A SHOPPING CHART.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As my contribution to PALS 2014 I will arrange two walks examining the area around Slussen from two different perspectives. The first, by foot and wheelchair, 3 pm, Saturday April 26, has discriminatory inaccessibility as its theme and is lead by Kerstin Alksten who works with making outdoor environments more accessible for groups with different disabilities. The second, 3 pm, Sunday April 27, is a walking tour to a couple of remote places in difficult terrain which Conny Lind a senior from Söder has mapped, photographed and published on the Internet.&lt;/p&gt;
&lt;p&gt;The aim with the walks is to explore the surroundings, enjoy the weather, wind and each other’s company. What are the functions and meanings of urban landscapes? What is a good outdoor fenvironment, generally and from the aspect of accessibility? How are they designed, by whom and for whom? Both tours will go on for one and a half hour, with a shorter stop for snacks and include performative elements.&lt;/p&gt;
&lt;p&gt;A part from the festival audience, the artists participating in PALS 2014, representatives from; municipal district council of Södermalm (responsible for parks, green areas, traffic and social services) and various organisations for groups with disabilities, architectural and city-planning educations at KTH and Mejan Arc, Färgfabriken and The Swedish Art Council have been invited.&lt;/p&gt;
&lt;p&gt;The title of the work refers to films with a strong focus on walking in the plot; Dersu Usala (Kurosawa 1975), The Discrete Charm of the Bourgoisie (Bunuel 1972) and The Road (Hillcoat, 2009, after Cormac Mc Carthy’s book with the same name).&lt;/p&gt;
&lt;p&gt;Please note that the gatherings at 3 o’clock will take place at the elevator located outside, in front of the Stockholm City Museum, at Ryssgården, Södermalms torg. Mobility service can drive to Peter Myndes Backe 3.&lt;/p&gt;
&lt;p&gt;If you got questions, please contact me, Elin Wikström, mobile: 0708 38 19 58 or email: &lt;a href=&quot;mailto:elin.wikstrom@gbgkonstskola.se&quot;&gt;elin.wikstrom@gbgkonstskola.se&lt;/a&gt;&lt;br /&gt;To get to know more about PALS 2014; please check: www.palsfestival.se&lt;/p&gt;
&lt;p&gt;WELCOME! Please spread to friends and colleagues!&lt;/p&gt;
&lt;p&gt;All best, &lt;br /&gt;Elin Wikström&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan2.jpg&quot; alt=&quot;elin-inbjudan2&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan1.jpg&quot; alt=&quot;elin-inbjudan1&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;</summary>
		<content type="html">&lt;p&gt;&lt;strong&gt;TWO WALKS. COMPANY: DERSU, MADAM THÉVENOT AND ELI – THE OLD MAN. PACKING; A MAP, A BAGUETTE AND A SHOPPING CHART.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;As my contribution to PALS 2014 I will arrange two walks examining the area around Slussen from two different perspectives. The first, by foot and wheelchair, 3 pm, Saturday April 26, has discriminatory inaccessibility as its theme and is lead by Kerstin Alksten who works with making outdoor environments more accessible for groups with different disabilities. The second, 3 pm, Sunday April 27, is a walking tour to a couple of remote places in difficult terrain which Conny Lind a senior from Söder has mapped, photographed and published on the Internet.&lt;/p&gt;
&lt;p&gt;The aim with the walks is to explore the surroundings, enjoy the weather, wind and each other’s company. What are the functions and meanings of urban landscapes? What is a good outdoor fenvironment, generally and from the aspect of accessibility? How are they designed, by whom and for whom? Both tours will go on for one and a half hour, with a shorter stop for snacks and include performative elements.&lt;/p&gt;
&lt;p&gt;A part from the festival audience, the artists participating in PALS 2014, representatives from; municipal district council of Södermalm (responsible for parks, green areas, traffic and social services) and various organisations for groups with disabilities, architectural and city-planning educations at KTH and Mejan Arc, Färgfabriken and The Swedish Art Council have been invited.&lt;/p&gt;
&lt;p&gt;The title of the work refers to films with a strong focus on walking in the plot; Dersu Usala (Kurosawa 1975), The Discrete Charm of the Bourgoisie (Bunuel 1972) and The Road (Hillcoat, 2009, after Cormac Mc Carthy’s book with the same name).&lt;/p&gt;
&lt;p&gt;Please note that the gatherings at 3 o’clock will take place at the elevator located outside, in front of the Stockholm City Museum, at Ryssgården, Södermalms torg. Mobility service can drive to Peter Myndes Backe 3.&lt;/p&gt;
&lt;p&gt;If you got questions, please contact me, Elin Wikström, mobile: 0708 38 19 58 or email: &lt;a href=&quot;mailto:elin.wikstrom@gbgkonstskola.se&quot;&gt;elin.wikstrom@gbgkonstskola.se&lt;/a&gt;&lt;br /&gt;To get to know more about PALS 2014; please check: www.palsfestival.se&lt;/p&gt;
&lt;p&gt;WELCOME! Please spread to friends and colleagues!&lt;/p&gt;
&lt;p&gt;All best, &lt;br /&gt;Elin Wikström&lt;/p&gt;
&lt;p&gt; &lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan2.jpg&quot; alt=&quot;elin-inbjudan2&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;
&lt;p&gt;&lt;img class=&quot;jcepopup&quot; src=&quot;http://palsfestival.se/images/2014/artists/elin-inbjudan1.jpg&quot; alt=&quot;elin-inbjudan1&quot; width=&quot;569&quot; height=&quot;356&quot; /&gt;&lt;/p&gt;</content>
		<category term="2014" />
	</entry>
</feed>
